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        "rendered": "<div  class=\"tatsu-x4enW_QJFo tatsu-section  tatsu-bg-overlay   tatsu-clearfix\" data-title=\"\"  data-headerscheme=\"background--dark\"><div class='tatsu-section-pad clearfix' data-padding='{\"d\":\"50px 0px 90px 0px\"}' data-padding-top='50px'><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-has-three-cols tatsu-medium-gutter tatsu-reg-cols  tatsu-clearfix tatsu-o-kRSGm0xq\" ><div  class=\"tatsu-row\" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-third tatsu-column-image-none tatsu-column-effect-none  tatsu-_ot5XWB5S\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner\" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-single-image tatsu-module align-right tatsu-image-lazyload tatsu-zzO9VBOAp\" ><div class=\"tatsu-single-image-inner\" style=\"width : 2048px;\" ><div class = \"tatsu-single-image-padding-wrap\" style = \"padding-bottom : 66.650390625%;\" ><\/div><img class = \"tatsu-gradient-border\" alt = \"\" title = \"profil_LolaRossi\" data-src = \"https:\/\/www.lolarossi.net\/wp-content\/uploads\/2026\/09\/profil_LolaRossi.jpg\" src =\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mNkYAAAAAYAAjCB0C8AAAAASUVORK5CYII=\"  \/><\/div><style>.tatsu-zzO9VBOAp{margin: 35px 0px 10px 0px;}.tatsu-zzO9VBOAp .tatsu-single-image-inner{border-style: solid;max-width: 74%;}.tatsu-zzO9VBOAp.tatsu-single-image{transform: translate3d(0px,0px, 0);}<\/style><\/div><div  class=\"tatsu-module tatsu-text-block-wrap tatsu-OwWAcde1u\"><div class=\"tatsu-text-inner tatsu-align-right  clearfix\" ><style>.tatsu-OwWAcde1u.tatsu-text-block-wrap .tatsu-text-inner{width: 100%;text-align: right;}<\/style>\n<p class=\"translation-block\">Resident at <a href=\"https:\/\/www.le6b.fr\/\" target=\"_self\">6b<\/a><br><span style=\"font-size: 8pt\">6-10 Quai de Seine, 93200 Saint-Denis<\/span><br>contact@lolarossi.fr<\/p>\n<p><strong><a href=\"https:\/\/www.imdb.com\/name\/nm8261860\/\">imdb<\/a><\/strong><\/p>\n<\/div><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-_ot5XWB5S.tatsu-column{width: 33.33%;}.tatsu-_ot5XWB5S.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-_ot5XWB5S > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-_ot5XWB5S > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-_ot5XWB5S > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-_ot5XWB5S > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-_ot5XWB5S.tatsu-column{width: 33.33%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-_ot5XWB5S.tatsu-column{width: 33.33%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-_ot5XWB5S.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-third tatsu-column-image-none tatsu-column-effect-none  tatsu-Za5z-vsm26\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner\" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-module tatsu-inline-text clearfix tatsu-EdcQpBKnL\" ><style>.tatsu-EdcQpBKnL .tatsu-inline-text-inner{width: 100%;text-align: left;}.tatsu-EdcQpBKnL.tatsu-inline-text{margin: 0px 0px 0px 0px;}@media only screen and (max-width: 767px) {.tatsu-EdcQpBKnL .tatsu-inline-text-inner{width: 100%;}}<\/style><div class=\"tatsu-inline-text-inner tatsu-align-center\">\n<h4 style=\"text-align: left;\"><em style=\"font-size: 24px;\">about_<strong style=\"font-size: 24px;\"><br \/><\/strong><\/em><\/h4>\n<\/div><\/div><div  class=\"tatsu-module tatsu-text-block-wrap tatsu-rJ0veVTP0\"><div class=\"tatsu-text-inner tatsu-align-center  clearfix\" ><style>.tatsu-rJ0veVTP0.tatsu-text-block-wrap .tatsu-text-inner{width: 100%;text-align: left;}<\/style>\n<p><strong>Lola Rossi (1995)<\/strong> est une artiste dont la pratique explore les relations entre technologies, divination et \u00e9tats modifi\u00e9s de conscience. Associant installation, performance, programmation, radio et images fixes ou en mouvement, elle con\u00e7oit des dispositifs qui engagent le corps et l\u2019attention.<\/p>\n<p>Ses \u0153uvres interrogent la mani\u00e8re dont les images, les signaux et les interfaces fa\u00e7onnent nos perceptions et nos croyances. Son travail fait dialoguer traditions herm\u00e9tiques, pratiques rituelles et syst\u00e8mes de calcul contemporains.<\/p>\n<p>Elle explore notre disposition \u00e0 reconna\u00eetre des figures, des pr\u00e9sences et des pr\u00e9sages dans des ph\u00e9nom\u00e8nes ambigus. Le bruit, les interf\u00e9rences et les variations atmosph\u00e9riques deviennent des mati\u00e8res \u00e0 interpr\u00e9tation. Elle les donne \u00e0 percevoir \u00e0 travers des mati\u00e8res humides et translucides (membranes, verre, eau, vapeur, nuages), o\u00f9 la lumi\u00e8re et le signal traversent un corps plut\u00f4t qu&rsquo;ils n&rsquo;\u00e9manent d&rsquo;un \u00e9cran. Dans une perspective cyberf\u00e9ministe, elle questionne les logiques de classification, de pr\u00e9diction et de contr\u00f4le inscrites dans les outils qu\u2019elle emploie, notamment lorsqu\u2019ils assignent des identit\u00e9s aux corps et des significations au vivant.<\/p>\n<p>Elle en d\u00e9place les usages vers des exp\u00e9riences de r\u00e9ceptivit\u00e9, de transe et d\u2019attention flottante. Ses dispositifs explorent ainsi une \u00e9cologie de l\u2019attention : des mani\u00e8res d\u2019observer, d\u2019\u00e9couter et d\u2019entrer en relation qui m\u00e9nagent une place \u00e0 l\u2019incertitude et \u00e0 ce qui \u00e9chappe \u00e0 la mesure.<\/p>\n<p>Sa pratique s\u2019appuie sur une dizaine d\u2019ann\u00e9es d\u2019exp\u00e9rience en ing\u00e9nierie de l\u2019image &#8211; post production, programmation, 3D et compositing &#8211; aujourd\u2019hui mises au service de la recherche-cr\u00e9ation. Son travail a \u00e9t\u00e9 soutenu par le r\u00e9seau des Villes cr\u00e9atives de l\u2019UNESCO, le Centre des arts d\u2019Enghien-les-Bains, le festival acces(s) et ZERO1. Elle est laur\u00e9ate 2026 du programme interr\u00e9gional Ambivalences (minist\u00e8re de la Culture, DRAC Bretagne, Normandie et Pays de la Loire). Elle enseigne la th\u00e9orie de l\u2019image et les arts num\u00e9riques dans l\u2019enseignement sup\u00e9rieur et d\u00e9veloppe Synthetic States, une recherche-cr\u00e9ation sur les \u00e9tats modifi\u00e9s de conscience men\u00e9e avec Hugo Scurto.<\/p>\n<\/div><\/div><div  class=\"tatsu-module tatsu-divider-wrap  tatsu-g-zC3r-0g\"  ><style>.tatsu-g-zC3r-0g .tatsu-divider{height: 1px;width: 100%;background: #efefef;}.tatsu-g-zC3r-0g.tatsu-divider-wrap{text-align: left;}<\/style><hr class=\"tatsu-divider\"\/><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-Za5z-vsm26.tatsu-column{width: 33.33%;}.tatsu-Za5z-vsm26.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-Za5z-vsm26 > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-Za5z-vsm26 > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-Za5z-vsm26 > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-Za5z-vsm26 > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-Za5z-vsm26.tatsu-column{width: 33.33%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-Za5z-vsm26.tatsu-column{width: 33.33%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-Za5z-vsm26.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-third tatsu-column-image-none tatsu-column-effect-none  tatsu-BJ-jsFvPWge\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner\" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-module tatsu-text-block-wrap tatsu-BkXS3J8wR\"><div class=\"tatsu-text-inner tatsu-align-center  clearfix\" ><style>.tatsu-BkXS3J8wR.tatsu-text-block-wrap .tatsu-text-inner{width: 100%;text-align: left;}<\/style>\n<h5>Selected exhibitions\u00a0<\/h5>\n<p class=\"p3\"><span class=\"s2\"><span style=\"color: #0000ff;\"><b>Ambivalences 2026 laureate \u2022 Bucharest Scenography Biennale 2026 \u2022 Spazio Disponibile, <\/b>Puglia, Italy (2026)<br \/><\/span><b><br \/><\/b><b>Festival ZERO1, <\/b>La Rochelle (March 2026) <b>\u2022 Intelligences Artistiques, <\/b>access festival, Le Bel Ordinaire, Pau, FR (<strong>October<\/strong><b> 2025) \u2022 The Gathering<\/b><\/span>, Hamar, Norway (April 2025) \u2022 <span class=\"s2\"><b>Humanit\u00e9s Augment\u00e9es<\/b><\/span>, Bains Num\u00e9riques, Paris, FR (2024) \u2022 <span class=\"s2\"><b>Imaginary Mappings<\/b><\/span>, UNESCO Creative Cities Conference, Santos, BR (2022) \u2022 <span class=\"s2\"><b>Braga Media Arts<\/b><\/span>, Braga, PT (2022) \u2022 <span class=\"s2\"><b>Young Berlin<\/b><\/span>, SoHo House, Berlin, DE (Curated by Girls, 2019) \u2022 <span class=\"s2\"><b>Straight Support Queer Identity SS19<\/b><\/span>, St Georg, Berlin, DE (Curated by Girls &#038; Kaltblut Magazine, 2019) \u2022 <span class=\"s2\"><b>The Woman in Me<\/b><\/span>, The Ballery, Berlin, DE (2019) \u2022 <span class=\"s2\"><b>Identity and Feminity<\/b><\/span>, Griessmuehle, Berlin, DE (Art bei Ton, 2019) \u2022 <span class=\"s2\"><b>Sleepless Nights<\/b><\/span>, 19:28, Berlin, DE (solo exhibition, 2018) \u2022 <span class=\"s2\"><b>CineGlobe Film Festival<\/b><\/span>, Switzerland (2018) \u2022 <span class=\"s2\"><b>The Rookies<\/b><\/span>, Best Photographer, Runner-Up (2018) \u2022 <span class=\"s2\"><b>Urban Spree<\/b><\/span>, Berlin, DE (Art bei Ton, 2017) \u2022 <span class=\"s2\"><b>Studio Baustelle<\/b><\/span>, Berlin, DE (2017) \u2022 <span class=\"s2\"><b>FFF Film Festival<\/b><\/span>, Sweden (2017) \u2022 <span class=\"s2\"><b>Motion Festival<\/b><\/span>, Cyprus (2017) \u2022 <span class=\"s2\"><b>Dublin Sci-Fi Festival<\/b><\/span>, Ireland (2017) \u2022 <span class=\"s2\"><b>Paris Festival Court-Devant<\/b><\/span>, Paris, FR (2017) \u2022 <span class=\"s2\"><b>Cercle OPAC<\/b><\/span>, Brussels, BE (2016)<\/p>\n<hr \/>\n<h4>Press<\/h4>\n<p class=\"p3\"><span class=\"s2\"><b>New Noise Magazine<\/b><\/span>, \u201cVerset Zero\u201d (print editorial, 2020) \u2022 <span class=\"s2\"><b>Lola Magazine<\/b><\/span>, \u201cWhy Girls Curates\u201d (print editorial, 2019) \u2022 <span class=\"s2\"><b>InSpades Magazine<\/b><\/span>, <i>Memories on Film<\/i> (print interview, 2019) \u2022 <span class=\"s2\"><b>Lola Magazine<\/b><\/span>, <i>Issue Seven<\/i> (print editorial, 2019) \u2022 <span class=\"s2\"><b>Dark Beauty Magazine<\/b><\/span>, <i>Issue 3.18<\/i> (editorial) \u2022 <span class=\"s2\"><b>Longueurs d\u2019Ondes<\/b><\/span>, no. 91 (print editorial) \u2022 <span class=\"s2\"><b>Kaltblut Magazine<\/b><\/span>, \u201cArt bei Ton\u201d (editorial, 2018) \u2022 <span class=\"s2\"><b>Lomography<\/b><\/span>, \u00ab Instant Portraits by Lola Rossi \u00bb (Curated by Girls, 2017)<\/p>\n<hr \/>\n<h4>Workshops and teaching<\/h4>\n<p class=\"p3 translation-block\"><span class=\"s2\"><b>Artist-Teacher<\/b><\/span>: Catalyst, Berlin, DE (2024) \u2022 ARTFX, Paris (2020\u20132024) \u2022 Digital Campus (2022) \u2022 <span class=\"s2\"><b>Production Manager<\/b><\/span>: graduation films, ARTFX Paris (2022\u20132023)<\/p>\n<p class=\"p3 translation-block\"><span class=\"s2\"><b>Workshops and Collective Creations<\/b><\/span>: <i>When AI Brings Our Dreams to Life<\/i>, Bains Num\u00e9riques Festival (2024) \u2022 <i>Dream Via AI<\/i>, Centre des Arts d\u2019Enghien-les-Bains (2023) \u2022 <i>Circles<\/i>, Centre des Arts d\u2019Enghien-les-Bains (2023) \u2022 <i>Imaginary Mappings<\/i>, France-Portugal Season, UNESCO Network &amp; 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